I would call it a comedy variety show. We have some people just doing straight standup. We usually try to have one musical act of sort. So its just people being funny in different ways not just sketch not just standup not just characters all of those things.

Sometimes comics will make the observation that it's not jokes that are funny it's characters that are funny. And isn't that true! That's why I always kill jokes. I'm terrible at them because I get the joke right but I can't get the character right and it just goes down like a lead balloon.

I've never really understood that. It's a funny thing people sometimes accuse us of condescending to our characters somehow-that to me is kind of inexplicable.

It's a funny show. The characters are surprisingly likable given how ugly they are. We've got this huge cast of characters that we can move around. And over the last few seasons we've explored some of the secondary characters' personal lives a bit more.

It used to be that you had to make female TV characters perfect so no one would be offended by your 'portrayal' of women. Even when I started out on 'The Office' eight years ago we could write our male characters funny and flawed but not the women. And now thankfully it's completely different.

When I was a little kid I wrote this play about all these characters living in a haunted house. There was a witch who lived there and a mummy. When they were all hassling him this guy who bought the house - I can't believe I remember this - he said to them 'Who's paying the mortgage on this haunted house?' I thought that was really funny.

I think romance is friendship and attraction sort of meeting together and that does influence what I'm writing a lot. I try to establish the attraction obviously but I also think it's important to show the characters having actual conversations about things other than their feelings for each other - and to develop their friendship on the page.

006 was such an interesting character and the film really explored his friendship with Bond and how it all went wrong so it was a very personal journey for both characters.

All the characters in my films are fighting these problems needing freedom trying to find a way to cut themselves loose but failing to rid themselves of conscience a sense of sin the whole bag of tricks.

I like repressed characters. That gives me a lot of freedom to make a lot of different choices through subtleties.