Everything a writer learns about the art or craft of fiction takes just a little away from his need or desire to write at all. In the end he knows all the tricks and has nothing to say.
Art is very tricky because it's what you do for yourself. It's much harder for me to make those works than the monuments or the architecture.
The thing that's tricky is sometimes the best voices - just because someone hits the big notes and sounds amazing - it doesn't necessarily mean they make the greatest artists.
My mother encouraged it so much. She was so supportive. Even if as a kid I would do the dumbest trick which now that I look back on some things she would love it she would say that's amazing or if I'd make the ugliest drawing she would hang it up. She was amazing.
As a kid I kind of spent my life being amazed by being tricked. I love being tricked. I still love it today.
I think all writers of my age who are brought up on films probably by the age of 16 have seen many more films than they have read classics of literature. We can't help but be influenced by film. Film has got some great tricks that it's taught writers.
The trick is growing up without growing old.
Which European leader today would not relish the wonder-working powers of a Moses? Budget deficit? Unpopular cuts? How about just a little miracle an overnight increase in gold reserves a new oil field or the next world-changing communications technology? Surely that's not too much to ask.