You can't but know that if you can capture the emotions of the audience as well as their minds the play will work better because it's a narrative art form.

The screen is a magic medium. It has such power that it can retain interest as it conveys emotions and moods that no other art form can hope to tackle.

The artist is a receptacle for emotions that come from all over the place: from the sky from the earth from a scrap of paper from a passing shape from a spider's web.

I don't think I could play a character that I couldn't relate to somehow. I'm not unfamiliar with frustration anger shame helplessness and a load of other emotions that make up our psycho-soup. I try to focus on that frustration that sense of unfairness and multiply it.

Successful prime-time television of any genre produces some kind of emotional reaction in the viewers. There are a lot of different emotions to tap into. The emotion of the reward of discovery the feeling of righteous anger the feelings of pathos and sadness or sentimentality of being moved by something.

So I'm not worried about the emotions I carry with me because I'm happy that I have them I think it's good for the work I do. The emotions that are not healthy are the ones you hold inside like anger.

Your thoughts and emotions are yours alone.

I'm actually not an exhibitionist at all. When you get onstage and you get under the lights playing music I feel more hidden and more alone than anywhere else. You hide behind your music and let your emotions come out through the music.

In the first 50 years of the filibuster it was used only 35 times. But the last Congress alone had 112 cloture motions filed plus threats of more. This is the tyranny of the minority.

Middle age: when you begin to exchange your emotions for symptoms.