The 1990s after the reign of terror of academic vandalism will be a decade of restoration: restoration of meaning value beauty pleasure and emotion to art and restoration of art to its audience.

Art is for anyone. It just isn't for everyone. Still over the past decade its audience has hugely grown and that's irked those outside the art world who get irritated at things like incomprehensibility or money.

A saboteur in the house of art and a comedienne in the house of art theory Lawler has spent three decades documenting the secret life of art. Functioning as a kind of one-woman CSI unit she has photographed pictures and objects in collectors' homes in galleries on the walls of auction houses and off the walls in museum storage.

After its hothouse incubation in the seventies appropriation breathed important new life into art. This life flowered spectacularly over the decades - even if it's now close to aesthetic kudzu.

I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial and I'm seeing it blossom and bear fruit at 'Greater New York ' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent.

I also take pleasure in the so-called negative power in Grotjahn's work. That is I love his paintings for what they are not. Unlike much art of the past decade Grotjahn isn't simply working from a prescribed checklist of academically acceptable curator-approved 'isms' and twists.

This anniversary serves to help remind the American people that in the wake of one of the greatest political scandals and misuse of power in our history as a nation scandal produced important reforms that served this nation well for two decades.

Next month I will celebrate my 30th anniversary of marriage with my beautiful bride Vicki. Our marriage has been a blessing. I have gained even more respect for the institution over the past 3 decades and will defend it against attack.

In the final analysis the incident is seen as originating from an emotional expression of the frustration and anger of the proud people of China who had been subject to ever increasing oppression from without and decadent corruption from within.

I have my favourite fashion decade yes yes yes: '60s. It was a sort of little revolution the clothes were amazing but not too exaggerated.