I'm so thankful for the Internet because actors and singers and performers now have a way to connect with their fans on a very personal level which I think is quite special.

I don't remember ever deciding to become a performer. I just always was. I began performing by mimicking the performers on the new television that first took the attention away from me as the baby of the household. I continued performing to put a smile on my grandmother's face and always considered her when accepting or declining roles.

Some have called we rock and roll performers who never retire 'troubadours.' I enjoy this misnomer immensely. While there are many differences between me and my distant predecessors in L'Occitane I do believe there is a lineage that connects us of the last 70 years with those romantic singers of the High Middle Ages.

Music never dies. Do we really need another Madonna tour? Does she have to compete with women performers 25 years her junior?

Pop songs are not as graceful as they used to be. Performers today haven't gone through the regimen of learning how to write. And of course everyone wants to own copyrights.

Music is at once the product of feeling and knowledge for it requires from its disciples composers and performers alike not only talent and enthusiasm but also that knowledge and perception which are the result of protracted study and reflection.

When I went on to write my next book Working With Emotional Intelligence I wanted to make a business case that the best performers were those people strong in these skills.

Regardless of who originally made it popular any hit song becomes a challenge to the ingenuity and imagination of other musicians and performers.

Performers are so vulnerable. They're frightened of humiliation sure their work will be crap. I try to make an environment where it's warm where it's OK to fail - a kind of home I suppose.

I guess some people want to be performers because they want to be famous.