Sure I could give advice I could say travel the world listen to music. But all I can really say is do something you want to do and do it well. And if you want to be a choreographer then you have to make dances.

I have the most respect for Zach Woodlee. He is one of my favorite - and one of the most capable - choreographers out there right now.

Choreography is mentally draining but there's a pleasure in getting into the studio with the dancers and the music.

I've choreographed all of my movies.

I've just been learning how to direct my own videos choreography doing costumes... every creative opportunity there is with my music I've taken.

I had actually been on tour in Japan and I had my own world tour that I was doing. I was used to doing a show for an hour so I was always learning choreography.

I thought I had to make an impact on history. I had to become the greatest choreographer of my time. That was my mission. Posterity deals with us however it sees fit. But I gave it 20 years of my best shot.

Gradually it occurred to me that we spend a great deal of life asleep and that dreams are little narratives little stories. I thought 'Who's choreographing this stuff?'

When I began to choreograph and find my way pulling other artists' dreams out and changing music in a visual way there was still a part of me that had something more to say. There was still a desire to rock a stage and ultimately perform the eight count of my dream but there was a lot of insecurity there.

Choreography is amazing. I'm still a dancer yet I transitioned into choreography then as a Creative Director. All of these creative elements are brought out of being a dancer. Directing is something that comes out of understanding movement and choreography. Directing movement is directing a dance piece.