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The serve I was too young and too small and... not enough powerful to have a good serve when I was young so my forehand was always my signature shot. So I used to always run around my backhand you know use my forehand as much as I could and so that's why I think it's my strength also today you know.

From my music training I knew that some Spanish rhythms apart 5/4 is a time signature used only in the modern era. Holst's Mars from the Planets is 5/4. But if you speak lines of poetry in that pattern you just end up hitting the off-beats. It's only when you add a rest - a sixth beat - that it sounds as it surely should sound.

A man's kiss is his signature.

I don't know why my smile has become a signature pose. I think it's a nice change. I think people want to see happiness so a smile is what can bring that. I didn't make it my trademark on purpose.

My office walls are covered with autographs of famous writers - it's what my children call my 'dead author wall.' I have signatures from Mark Twain Earnest Hemingway Jack London Harriett Beecher Stowe Pearl Buck Charles Dickens Rudyard Kipling Alfred Lord Tennyson to name a few.

Both my mum and dad were great readers and we would go every Saturday morning to the library and my sister and I had a library card when we could pass off something as a signature and all of us would come with an armful of books.

There are no better cosmetics than a severe temperance and purity modesty and humility a gracious temper and calmness of spirit and there is no true beauty without the signatures of these graces in the very countenance.

Art is the signature of civilizations.

We're going to shoot one Polaroid per show. I'm going to sign this before it even develops because I know that once it develops with my signature on it it's worth a fortune. I'll make this a work of magic warlock art.

All of Koons's best art - the encased vacuum cleaners the stainless-steel Rabbit (the late-twentieth century's signature work of Simulationist sculpture) the amazing gleaming Balloon Dog and the cast-iron re-creation of a Civil War mortar exhibited last month at the Armory - has simultaneously flaunted extreme realism idealism and fantasy.

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The dogmas of the quiet past are inadequate to the stormy present. The occasion is piled high with difficulty and we must rise with the occasion. As our case is new so we must think anew and act anew.