Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this and who else other people may be and all that it's so grimly brutal!

I hear the way people talk about the children of famous people. They're not treated very well. The presumptions are usually quite awful. So I tried to establish myself with a couple of movies. After 'Juno' I thought: 'I think I've defined myself enough as my own director that I'd love to work with my father.'