When I'm on stage it's a little world I've created where I'm sort of the thing so I have total control over everything that happens. When we're improvising I'm with someone I totally trust. I know things are going to work out. I don't have those guarantees in life. There are no consequences on stage.

While you're improvising you may come up with something which will break him up. As soon as that smile comes out you know that hey we're having fun.

Jazz vision is the fusion of music and art a real paradox of same-yet different. Here we play in exchanges like the hardness of the key of c# major and from the softness of Db major - capturing reflecting and improvising.

When we were doing 'Freaks and Geeks' I didn't quite understand how movies and TV worked and I would improvise even if the camera wasn't on me. I thought I was helping the other actors by keeping them on their toes but nobody appreciated it when I would trip them up. So I was improvising a little bit back then but not in a productive way.

Even if you're improvising the fact that beforehand you know certain things will work helps you make those improvisations successful. It really helps to have a certain amount of knowledge about musical structure.

Maybe a part of me recognized how right the improvising spirit of jazz is. Not the sounds but the freedom to work with musicians who work that way. It felt very natural to me but I think there's a way to do it without it being a jazz record.

I don't have a fear factor. Well not much of one. And I'm willing to risk quite a lot - as a comedian you're always risking a lot. You're risking failure especially if you're improvising and going on TV shows trying to make comedy out of thin air. That is quite a risky business.

All improv turns into anger. All comedy improv basically turns into anger because that's all people know how to do when they're improvising. If you notice shows that are improvising are generally people yelling at each other.