People want to hear about the extremes of human nature. They want things that are larger than their own lives and more romantic and not necessarily of their own experiences.

I'm in the mood for another Moonstruck experience for another romantic comedy.

I received from my experience in Japan an incredible sense of respect for the art of creating not just the creative product. We're all about the product. To me the process was also an incredibly important aspect of the total form.

While I will always have the utmost respect for the superhuman out-of-bounds freestyle and extreme stunts that seem to continually progress beyond our imaginable limits my highest appreciation goes out to the simple rider who's out there just for the experience.

I'm looking at working with people I get on with that respect me that don't just see me as a piece of ass. Which I have experienced as well. I've nearly walked off very big films before and I would because I don't want that in my life. I want to enjoy the work I do.

I have the most profound respect for the Department of Justice and the FTC. We in Europe are a younger and I would say junior institution to the historical antitrust experience of the US.

I think Europeans have enough tradition and respect for the experience and body of work of an actress that they don't sell out to the new ones.

They become the keepers of the mystery. They place themselves between the communicants of the religion and the immediate experience. And then they dictate the terms on which you can have contact with this wonderful mystery. We don't dictate those terms.

When theology erodes and organization crumbles when the institutional framework of religion begins to break up the search for a direct experience which people can feel to be religious facilitates the rise of cults.

Growing up in Wales was a pretty Draconian experience with religion.