I quit doing the movies because the wrestling was going so good and was so on fire during the '80s and '90s but I was getting all these movie scripts.

When we shoot 24 there are so many things I have to worry about from the script to technical things to my performance that I don't have a second to be bored or take anything for granted. We produce 24 hours of film a season which is like making 12 movies.

You have to read scripts and audition and develop relationships. It takes a long time to develop a body of work but over the last 25 years I guess I've done that many movies. In hindsight it may seem effortless but there's a lot of work that goes into it.

It can have an enormous effect because big budget movies can have big budget perks and small budget movies have no perks but what is the driving force of course is the script and your part in it.

To me movies and music go hand in hand. When I'm writing a script one of the first things I do is find the music I'm going to play for the opening sequence.

Movies are not scripts - movies are films they're not books they're not the theatre.

You read a script and its based on 'Reservoir Dogs' and 'Pulp Fiction' and it goes right in the bin.

Each of our children during their high school years went to 'early morning seminary' - scripture study classes that met in the home of a church member every school day morning from 6:30 until 7:15.

I open with a clock striking to beget an awful attention in the audience - it also marks the time which is four o clock in the morning and saves a description of the rising sun and a great deal about gilding the eastern hemisphere.

I've been keeping a diary for thirty-three years and write in it every morning. Most of it's just whining but every so often there'll be something I can use later: a joke a description a quote. It's an invaluable aid when it comes to winning arguments. 'That's not what you said on February 3 1996 ' I'll say to someone.