The whole essence of good drawing - and of good thinking perhaps - is to work a subject down to the simplest form possible and still have it believable for what it is meant to be.

I think of doing a series as very hard work. But then I've talked to coal miners and that's really hard work.

I don't think people understand that being poor means you have to work from dawn until dusk just to survive through the day. I think there's some notion that poor people lie about all day not doing anything.

Another Black Label motto. That's what I think life is. It's just another bridge to cross. You ask no questions. Whatever work it is you gotta do you gotta go over it under it through it around it to do it.

The security comes as an actor in knowing that you're not in control. If you try to control your career or how people perceive you you'll make yourself unhappy because life doesn't work like that. So much is luck. It's much better to let yourself off to think 'There's nothing I can do.'

But I'm pretty good with collaborative thinking. I work well with other people.

Every man should have laws of his own I should think commandments of his own for every man has a different set of circumstances wherein to work - or worry.

Letting go of things and not being afraid of being ridiculous or over the top - I think that's the main thing for me to work on.

I don't think I am evangelical in my work.

I like to talk about my obsession with french fries because I don't want people to think that 'Let's Move' is about complete utter deprivation. It's about moderation and real-life changes and ideas that really work for families.