I use a lot of film images analogies and imagination.

Ultimately so much Dr. Seuss is about empowerment. He invites us to disappear into our imagination and then blows the doors off what that can mean.

I'm an emotional sort of person in general and I have a vivid imagination so I feel the whole spectrum of emotion strongly when I write.

I deeply adored my mum. She was an extraordinary person even for the prejudice I'm likely to have. She was beautiful amusing a tremendous elaborator of things into comic proportions and extravagant in her imagination.

One way we can enliven the imagination is to push it toward the illogical. We're not scientists. We don't always have to make the logical reasonable leap.

Our imagination just needs space. It's all it needs that moment where you just sort of stare into the distance where your brain gets to sort of somehow rise up.

I like something where I can really use my imagination and be an active participant in the construction of the monster and usually that's in the world of the supernatural or the world of the fantastic so that's why those kinds of stories about demons and the supernatural appeal to me or maybe I'm really interested in that subject.

I still have a photo on my wall of the greatest idol I will ever have in my life and it's myself at eight. Because that's when the forces of imagination have the same value as the real world when they're an instrument of survival: when my mother disappeared and I imagined a mother. That was me at my best.

The desire to live in our imagination is driven by this suspicion that we're disembodied sensibilities cobbled into our bodies. That idea has infused most of human thought since the very beginning.

I don't like this idea of Method. I come from that school but what I was taught was that it's your imagination. You do your homework and you use your imagination.