The alchemy of good curating amounts to this: Sometimes placing one work of art near another makes one plus one equal three. Two artworks arranged alchemically leave each intact transform both and create a third thing.

If only we could persuade galleries to observe a fallow period in which for two months every other year new and old works of art could be sold in back rooms and all main galleries would be devoted to revisiting shows gone by.

Works of art often last forever or nearly so. But exhibitions themselves especially gallery exhibitions are like flowers they bloom and then they die then exist only as memories or pressed in magazines and books.

Art and works of art do not make an artist sense and enthusiasm and instinct do.

Most works of art like most wines ought to be consumed in the district of their fabrication.

We want to answer this classical question who am I? So I think that most of our works are for art or whatever we do including science or religion tried to answer that question.

The finest works of art are precious among other reasons because they make it possible for us to know if only imperfectly and for a little while what it actually feels like to think subtly and feel nobly.

You use a glass mirror to see your face you use works of art to see your soul.

The works must be conceived with fire in the soul but executed with clinical coolness.

Works of art in my opinion are the only objects in the material universe to possess internal order and that is why though I don't believe that only art matters I do believe in Art for Art's sake.