Although Bill Finger literally typed the scripts in the early days he wrote the scripts from ideas that we mutually collaborated on. Many of the unique concepts and story twists also came from my own fertile imagination.

I love doing comedy. You don't get many good comedy scripts. They're rare. But I do love playing comedy. Even in drama I like to try to find the humor because I think it's very human.

The best thing for me is when I'm not working is to be at home and to have a script or two scripts is better and to be just walking around the house and just thinking about the lines.

It was a joy to be a part of the team that created Round The Horne. I was involved with the show at a time of my life when I was very happy. and that happiness overflowed into the scripts.

So often I read scripts and am like 'This would never happen in real life. It's not trying to be funny. It's trying to be serious.'

I read a lot of scripts that I just don't find very funny.

In Australia they set up a special fund to kick films off. It was quite an enlightened sort of move. You could go to this government bureau with scripts and and get finance for films.

I have come close to producing films. But generally by the time they hit the screen there's about 50 people with producer credits so what's the point. I usually find scripts I like with no money attached and take them to producers that I know and try to raise finance.

There's so many things I want to do. I want to work with great filmmakers great actors great scripts. And there's no reason for me to do anything short of that because I'm 24 I don't have a family I don't need to make tons of money and I'm not dying to get famous.

I'd done table reads for my own screenplays and I always thought they were so much fun. Why couldn't we do these for other classic screenplays and bring them to life? You can experience live theater where you get to see plays produced by different directors and different casts but there's really nothing like that for movie scripts.