The kind of theater that I do is sort of 'narrative realism ' which I think in the broadest sense is legitimate to say is mainstream. I mean in a certain sense Suzan-Lori's plays have had mainstream levels of success. But Suzan-Lori is in some ways not a narrative realist.

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I think that technology has both introduced new sounds but also allowed an increasingly painterly approach to recording music as you can now paint over what you've done and more and more refine an existing performance.