When I find myself in the company of scientists I feel like a shabby curate who has strayed by mistake into a room full of dukes.

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I also take pleasure in the so-called negative power in Grotjahn's work. That is I love his paintings for what they are not. Unlike much art of the past decade Grotjahn isn't simply working from a prescribed checklist of academically acceptable curator-approved 'isms' and twists.