My relationship with the journalists who covered the campaign was complicated. I often hid from the critical eye of their cameras and their omnipresent digital recorders wary of the critique implicit in every captured moment. But I also grew to respect and understand their passion for their work their love for the journey we were sharing.

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I've always loved 3D. In fact as a kid I was exposed to 3D at an early age because my grandfather was a specialist of 3D in cinematheques. And then my cousin put it in 'Science of Sleep' with toilet paper tube cities. But he was a specialist and I always wanted to do something in 3D.