John Currin's exaggerated realism and his twisted women kept me off balance...
Too many younger artists critics and curators are fetishizing the sixties...
Just as Pollock used the drip to meld process and product Richter 'found'...
When people in stadiums do the Wave it's the group-mind collective organism...
Personal identity seems like it's just such an American archetype from Holly Golightly re-inventing herself in 'Breakfast At Tiffany's' to Jay Gatsby in 'The Great Gatsby.' It seems like the sort of archetypal American issue. If you're given the freedom to be anything or be anyone what do you do with it?