I like things that are kind of eclectic when one thing doesn't go with another. That's why I love Rome. The town itself is that way. It's where Fascist architecture meets classic Renaissance where the ancient bangs up against the contemporary. It has a touch of everything. That's my style and that's what my work is about.

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I'm very manipulative towards directors. My theory is that everyone on the set is directing the film we're all receiving art messages from the universe on how we should do the film.