The problem was to sustain at any cost the feeling you had in the theater that you were watching a real person yes but an intense condensation of his experience not simply a realistic series of episodes.

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I was in Paris at an English-language bookstore. I picked up a volume of Dickinson's poetry. I came back to my hotel read 2 000 of her poems and immediately began composing in my head. I wrote down the melodies even before I got to a piano.